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Kajukenbo was founded in 1947 at Palamas Settlement on Oahu, Hawaii.
It developed out a group calling themselves the "Black Belt
Society", which consisted of black belts from various martial
arts backgrounds who met to train and learn with each other. This
was the beginning of an evolutionary, adaptive style designed to
combine the most useful aspects of the arts.
There are five men credited as founders of Kajukenbo, and it is
from their respective arts that Kajukenbo draws it's name.
Kenpo emerged as the core around which this new art was built.
Although unaccredited by name, other influences included American
Boxing (Choo was Hawaiian Welterweight Champion) and Escrima (Emperado
also studied Kali and Arnis Escrima).
In the late 1940's, Palamas Settlement was a violent area and fist-fights
or stabbings were commonplace. From this environment, the founders
of Kajukenbo wanted to develop an art that would be readily usefull
on the street. As they trained and fought in and around Palamas
Settlement, the founders of Kajukenbo quickly gained reputations
as formidable street-fighters. In 1950, Adriano Emperado, along
with brother Joe Emperado, began teaching the new art in an open
class. They called the school Kajukenbo Self Defense Institute (K.S.D.I.).
The emphasis during training was on realism - so much so that students
routinely broke bones, fainted from exhaustion, or were knocked
unconscious. Nevertheless, the reputation of this tough new art
drew more students and Emperado opened a second school at the nearby
Kaimuki YMCA. Soon Emperado had 12 Kajukenbo schools in Hawaii,
making it the second largest string of schools at the time. John
Leoning, who earned a black belt from Emperado, brought Kajukenbo
to the mainland in 1958. Since that time, Kajukenbo has continued
to flourish and grow.
From it's beginnings, Kajukenbo was an eclectic and adaptive art.
As time has passed, Kajukenbo has continued to change and evolve.
Currently, there are a few distinct, "recognized" branches
of Kajukenbo: Kenpo ("Emperado Method" or "Traditional
Hard Style"), Tum Pai, Chu'an Fa, Wun Hop Kuen Do, and Gaylord
Method. In addition, there are numerous "unrecognized"
branches, including CHA-3 and Kenkabo. While this may be confusing
for an outsider, it is the essence of the art. Students are not
required to mimic the teacher, but are encouraged to develop their
own "expression" of the art.
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